Refretting & Recrowning
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1.  Remove the guitar strings.

2.  Removing the frets:

A.  I remove the frets by heating the fret with a
     soldering iron that has been modified with a
     grove in the tip so the tip of the soldering iron
     won't slip off the fret while being heated. 
     I use a 50 watt soldering iron being very careful
     not to scorch the fret board.

B.  Using a special tool purchased on line from a
      guitar supply store, while the fret is hot,
      carefully slip the teeth of the tool under the fret
      by placing the tools teeth flat against the fret
      board and carefully squeezing and rocking backing
      forth, if necessary. Once the teeth of the tool
      has slipped under the fret move it along the fret
      in the same manner until the fret has dislodged
      from the fret slot.  Continue until all the frets
      have been removed.

C.  After the frets have been removed I clean out
     the fret slots, check the fret slot depths, and
     clean the fret board. Fret board cleaner can be
     bought from a number of guitar supply sites or
     your local guitar supply store.

D.  If the fret board needs a slight sanding I do it at
     this is the time using a radius block the same
     radius as the fret board.
     I don't sand if it's not necessary. It is important
     to check the radius of the fret board with a radius
     gage before sanding and use the appropriate
     radius block for sanding. 

C.  At this point, if your not using any type of neck
      jig as I use (see below Installing the frets 4D )
     adjust the truss rod to make the neck as straight
     as possible. Do this now if your not using a neck
     jig. See my Truss Rod Adjustment instructions.

    Note: Before continuing to the next step be certain
    you have the fret type you need to install.

3.  Preparing the frets for installation:

A.  Using a fret bending tool (pictured) I bend the fret
     slightly more than the radius of the fret board. 
     Then cut the frets slightly wider than the fret
     board slot it'll be installed into.  I usually leave
     about 1/16th over each edge.

B.  I place the fret into an index to keep the frets
     organized until I'm ready to install them.

C.  At this point if the guitar neck has binding the
     fret tangs need to be nipped at each end to fit
     in between the binding.

D.  Measuring how much needs to be removed, nip the
     tang flush to the bottom of the fret using a fret
     nipper.

4.   Installing the frets:

A.  I use two methods of installing the fret into the
     finger board. I either press them in or hammer
     them in using a fret hammer. I actually prefer
     hammering because I feel I have more control
     over the fret being inserted.  Great care must
     be taken when hammering so not to over
     hammer damaging the fret board. There are
     times when pressing in the frets is desirable.
     I usually determine that on a case by case basis.

B.  Using a little hot glue pore a bead into the fret slot
     starting on one side and going to the other so the
     entire length of the fret slot has glue in it. A small
     amount is enough. Be careful not to over do it.
     Hide glue can be used, preferred by some. I've read
     that some people use Tightbond, I wouldn't
     recommend it.

C.  Once the glue is put into the fret slot press the fret
     into place or carefully tap the fret into place with the
     fret  hammer.  After installing the fret make sure the
     fret is in contact with the fret board the entire length
     of the fret.  I use a .001 to a .0015 feeler gauge to
     check between the fret and the finger board running
     the feeler gauge along the fret board and the edge of
     fret. If the feeler gauge slips under the fret tap the
     fret down carefully to close the gap. Do this before the
     glue dries.

     Note: If you decide to hammer the frets into place
     Be sure you have a solid padded radiused base
     under the neck and do not over hammer you could
     damage the finger board or the neck. Please read
     this article on Stewart MacDonald's web site.

http://www.stewmac.com/freeinfo/Fretting/a-4895.html





D.  Trim the ends of the frets by cutting the ends of the
     frets, using a fret cutter, as close to the finger board
     as possible with out damaging the fret board.

E.  Using a file, bevel the ends of the frets 30 - 35°.  Run
     the file along the edge of the fret board holding the file
     at the 35° angle until the frets are flush with the side
     of the fret board. Using a beveling file makes this
     operation much easier. The edge of the finger board
     should be smooth when you run your finger up or down
     the finger board. You should not feel any sharp edges 
     of the frets hanging over the edge of the finger board.

5.   Leveling the frets:

A.  Check the neck and make sure it's straight.  You can
     check it with a special straight edge notched for the
     frets or by sighting down the length of the neck. Don't
     use the frets to check if the neck is straight.  It is very
     important to make sure the neck is straight to perform
     the next step.

     Tape the neck off as shown in the illustration on this
     page to protect the finger board, finger board edges
     and binding.

B.  Using the appropriate radius block with 150 - 180
     grit sand paper sand the frets moving up and down
     parallel to the neck. Make certain you keep the
     center of the block  aligned to the center of the neck,
     until the top side along the length of each fret has
     been touched by the sand paper.

     Note: You can use a higher grit if you choose not to be
     so aggressive removing material.  I use Porter Cable,
     Norton or 3M sticky back paper on a 6 or a 12 inch long
     radius block. 

C.  Check the flatness of the frets, using a straight edge,
     along the radius of the frets, from one side to the
     other. The straight edge should not rock over any fret
     in any position along the radius of the frets.  If you've
     touched the tops of each fret while leveling, the frets
     should be level at this point.  It is best to check with
     a short straight edge across each set of three frets
     down the length of the finger board, then check with
     the longer straight edge across the entire finger board.
     This insures that you didn't missed a low fret. 

D.  Some frets may have larger flat spots than others.
     This is OK as long as it's not excessive.  As your
     sanding check the flat spots on the frets. If the flat
     spots appear to be larger in the center of the neck the
     neck may not be straight.  You may have a back bow
     in your neck. Excessive flats spots will show at each
     end of the fret board if the neck has a forward bow.
     Sight down the neck again and straighten it before
     continuing.
 
6.   Re-crowning the Frets:

A.   At this point tape off the finger board between each
      fret the entire length of the board. I use Scotch 3M
      Blue Painters Tape for delicate surfaces.

B.   First, make sure you are using the correct recrowning
      file.  Start by placing the file on the frets closest point
      to you rolling the file across the entire length of the
      fret until you reach the opposite side.  Repeat this
      process until the flats on the frets created by the
      leveling process have been removed

C.   Using the same radiused recrowning file, roll the file
     over each end of each fret to slightly round the ends
     of each fret.  It's important to round each end slightly
     and to keep the round consistent between each fret.
     Then using a 3-Corner Fret Dressing Files dress the
     edges of each fret so there are no sharp edges at the
     edge of the fret board. Run your finger up and down
     the edge of the finger board to ensure there are no
     sharp edges.

D.  Once the frets have been dressed to your satisfaction
     using a small square piece of 400 sand paper sand
     The any file marks out of the frets.  Do this carefully
     so not to sand through the protection tape on the fret
     board especially on the edges. 
     Hint: I usually double tape the fret board so this
             doesn't happen.
     Repeat this sanding of each with 600 sandpaper.
     Then buff with 0000 or 000 steel wool.  You can
     substitute the steel wool with a piece of clothe and
     rubbing compound.

E.  Remove the tape set the neck relief, restring and
     enjoy your new fret job.  See Adjusting the Neck
     Relief HERE.

  









There are many methods for doing a refret job and anyone doing a refret job may do it a little different from someone else. Some may disagree with some methods but the only thing that really matters is that there hasn't been any damage to the instrument and the customer is happy with the results.    

I take time before I start to remove the old frets to inspect the neck, fret board, nut, truss rod.  The nut may have to be replaced, even if it appears to be good.  I don't remove the nut if it's in good shape until I know for sure it will cause a problem when resetting the action after refretting. 

I also make note of the fret size and use the same size unless the customer specifies another size.  If they ask for a recommendation the first obvious question is "were you happy with the fret size that is currently on your guitar"? If so why change? I have replaced existing frets with the largest fret available the Dunlop 6000 (0.118 wide x 0.058 high).  I usually don't recommend these frets because it will certainly will cause some distortion with the intonation of the guitar. Generally all around fret for most players is a medium fret size. The Dunlop 6155 (0.100 wide x 0.046 high) or Stewart MacDonald's #149 (0.103 wide x 0.046 high) The largest fret I would recommend is the Stewart MacDonald #150  (.110 wide x 0.053 high) or the Dunlop 6100 (0.110 x 0.55). I've done many guitars with this size fret without any intonation distortion problems.  I would recommend the StewMac #150 before the Dunlop 6100 only because the #150 is a little lower than the 6100. There's a good chance the frets will be slightly lower anyway after leveling the frets.

Fret Index
Fret Bender
Fret Tang Nipper

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Using Dan Earliwines Neck Jig


When doing a fret job I sometimes use Dan Earliwines Neck Jig.  This is an excellent way to do a fret job. Some pictures below using the Neck JIg.

The Neck Jig lets you do your fretwork with the same forces that are present under string tension. It's not necessary to loosen the truss rod to straighten  the neck for leveling the fingerboard or frets.

A guitar body is held firmly on the Neck Jig’s adjustable height levelers, with nylon straps as clamps. The guitar neck remains free, as the Neck Jig and guitar are tilted toward 90 degrees into the “playing position.” Here, with the strings tuned to pitch, the neck is adjusted (usually straight) for the type of fretwork you are about to do. The dial indicators touching the back of the neck are set to zero.

The Neck Jig is then returned to the horizontal working position. When the strings are removed, the neck “backbows” from the release of string tension and the pressure of the truss rod (if the neck has one). The peghead jack and the peghead “pull-down” are adjusted to recreate string tension. This forces the neck back into position until the dial indicators read zero again. Finally, the plastic-capped support rods are raised against the back of the neck for fret or fingerboard leveling.

You can find the Dan Earliwines Neck Jig at Stewart-Macdonalds. HERE.

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